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"The ability to record at home whenever I wanted allowed me to go into a wide variety of different musical directions
is far from a sophomore slump
" with artwork that is culled from original show flyers
MAYHEM continue to embody chaos
and a new artwork by Randy Ortiz inspired by the original Derek Hess artwork
33 1/3 Series: Elliott Smith's XO by Matthew LeMay unofficial "The ability to record atMany albums could be cited to support the claim that great suffering yields great art. Elliott Smith's XO should not be one of them. Smith's 1998 major label debut defies the "tortured singer songwriter" stereotype, and takes up this defiance as a central theme. At a time when Smith was being groomed for a particular (and particularly condescending) brand of stardom, he produced a record that eviscerated one of the central assumptions of
